How much $$$ is Bjorn worth?

I honestly don’t see how one can hate the work of one and love the work of the other. They are not that different. If you put me in front of a tree I can’t say who style it. Can you?
Absolutely! Bjorn’s work is very different than Ryan’s. Both of which are different than Boon’s, which is different than Kinji’s which is different than... well, you get the idea.
 
Absolutely! Bjorn’s work is very different than Ryan’s. Both of which are different than Boon’s, which is different than Kinji’s which is different than... well, you get the idea.

Well, I suppose I can’t see it then. They all look very similar to me, specially the conifers.

This could be a good contest though. To see how many people actually can identify the author of a certain tree
 
They are both incredibly awesome. They are also marketable. Production quality, self-promoters, cool back story, and young in terms of bonsai. Talent is understood. I have been to Mirai and hope to take an intensive with Bjorn in the near future since I need that next step and he is relatively close by.

Based on the quality of the nurseries, I would imagine both have secondary funding of some sort. A bank will not give you that kind of money for a bonsai nursery. I have done business development work and the valuation would be too low. Nonetheless, most businesses have outside help. Don't assume they are sole owners. Someone else probably has a stake unless they are relatives or very close friends. Definitely don't assume they are making a lot of profit. I am very happy for them and hope they have continued success. They get to do what they love, travel the world, and do it roughly on their terms. I would take less than I make now to do that.
 
There was a time when I was unemployed but had some disposable cash, and "invested" a relatively small amount of cash and my labor in a bonsai nursery. Had a good partner, and it was worth it in the sense that it kept me occupied during a down time. But even though the local bonsai community was very active, the nursery just gradually bled money. Most bonsai club people are incredibly cheap. The local clubs always wanted donations for club activities, but found driving 30 - 40 min to the nursery to be too far. Those that did come out bought only starter material, or more irksome, often asked if they could take free cuttings or seeds. The only thing we sold consistently were soil components.

Anyone who can make a go of a bonsai nursery has my admiration.
 
I assume that he comes from a wealthy family that likes to help out their children in their endeavors.
 
Well, I suppose I can’t see it then. They all look very similar to me, specially the conifers.

This could be a good contest though. To see how many people actually can identify the author of a certain tree
Ryan is a very good artist but Bjorn styling is more advanced imo and a big reason is he stayed on at Kouka-en Nursery for an additional 3 years after his apprenticeship to style trees. He was specifically there to style some of the top trees in the world. When he is in Japan he still is asked to style trees at Kouka-en Nursery. Which leads me to believe that he is sought after even in Japan. Of course as with all high level art everyone who looks at it is not going to see a difference but there is one.
 
They are both incredibly awesome. They are also marketable. Production quality, self-promoters, cool back story, and young in terms of bonsai. Talent is understood. I have been to Mirai and hope to take an intensive with Bjorn in the near future since I need that next step and he is relatively close by.

Based on the quality of the nurseries, I would imagine both have secondary funding of some sort. A bank will not give you that kind of money for a bonsai nursery. I have done business development work and the valuation would be too low. Nonetheless, most businesses have outside help. Don't assume they are sole owners. Someone else probably has a stake unless they are relatives or very close friends. Definitely don't assume they are making a lot of profit. I am very happy for them and hope they have continued success. They get to do what they love, travel the world, and do it roughly on their terms. I would take less than I make now to do that.
This is a good point. One I hadn't thought of. Plus, it must take years before a professional bonsai nursery actually sees a profit. I'm no business man, but this is all very fascinating to me.

As for liking or disliking anyone's work, I think 90% of us would be thrilled to have a fourth of the talent and knowledge of Bjorn, Ryan, Boon, Mauro, and all the other top end bonsai professionals. Whether you like their work or not, they each have their own unique vision, and have the ambition and resources to further western bonsai. Here in America, with our vast natural resources and unique species, we have the capability to equal the Japanese in the bonsai world. We're not there yet, but with such young new talent, we're making headway. We're still the apprentice, with Japan as the master, but eventually the apprentice goes off on his own and creates his own unique art.

We're blessed to have quite a few bonsai pros who have made a mark besides Ryan, Bjorn, and Boon: Jim Doyle, Michael Hagedorn, Colin Lewis, Matt Reel, John Romano, Owen Reich, Tyler Sherrod, Suthin Sukosolvisit, Peter Tea, and of course William Valavanis to name some of the better known people. We also have the venerable senior members of our own Bonsai Nut who have advanced the art. In all, I think we're in good hands here in the States.

A tip of the hat to our European brothers also.

And a deep bow to the far east.
 
This is a good point. One I hadn't thought of. Plus, it must take years before a professional bonsai nursery actually sees a profit. I'm no business man, but this is all very fascinating to me.

As for liking or disliking anyone's work, I think 90% of us would be thrilled to have a fourth of the talent and knowledge of Bjorn, Ryan, Boon, Mauro, and all the other top end bonsai professionals. Whether you like their work or not, they each have their own unique vision, and have the ambition and resources to further western bonsai. Here in America, with our vast natural resources and unique species, we have the capability to equal the Japanese in the bonsai world. We're not there yet, but with such young new talent, we're making headway. We're still the apprentice, with Japan as the master, but eventually the apprentice goes off on his own and creates his own unique art.

We're blessed to have quite a few bonsai pros who have made a mark besides Ryan, Bjorn, and Boon: Jim Doyle, Michael Hagedorn, Colin Lewis, Matt Reel, John Romano, Owen Reich, Tyler Sherrod, Suthin Sukosolvisit, Peter Tea, and of course William Valavanis to name some of the better known people. We also have the venerable senior members of our own Bonsai Nut who have advanced the art. In all, I think we're in good hands here in the States.

A tip of the hat to our European brothers also.

And a deep bow to the far east.

You may not know that Hagedorn, Peter Tea, Matt Reel, and Tyler Sherrard were once Boon students, and he arranged for them to be able to study in Japan. Romano started studying with Boon several years ago. Jonas, of BonsaiTonight, is also a long time Boon student.
 
You may not know that Hagedorn, Peter Tea, Matt Reel, and Tyler Sherrard were once Boon students, and he arranged for them to be able to study in Japan. Romano started studying with Boon several years ago. Jonas, of BonsaiTonight, is also a long time Boon student.
I knew that fact about Jonas, but not about the others.

Jonas is one of our top professionals who, I believe, did not do a full Japanese internship
 
He's worth a lot more now.

So .....

Let's go kidnap him!

Sorce
 
He's worth a lot more now.

Hehe! Imagine how many more “Bjorn Bjorholm”s this thread added to the internet machine via search engines.... like experience points!

Your “Bjorn” has slain the gatekeeper with the Iron long sword.... Level Up!

He deserves it. :)
 
You cannot compare Bjorn's work with that of Peter Chan or Niegel Saunders, Bjorn's work leaves all the competition in the dust.
I said he has a YouTube following comparable to them. I am not speaking on his works. I am talking about him being a driving force for the hobby both due to his exposure via internet/social media and that he will be around for decades to come.

I would have never gotten into Bonsai had it not been for that.
 
Check out Bjorn's response to this thread.

Great response... because I found it insightful, not because he should feel any need to justify himself or his actions :)

If you have a strong work ethic and an artistic eye, it is amazing what you can do with your own labor. Two weeks ago I was visiting a private nursery out here where the owner's home was landscaped with (among other things) 100 bloodgood Japanese maples that the owner had started as cuttings, and then had left in a field for 20 years before he came back for them. These are the biggest bloodgoods I believe I have ever seen, all over his yard, and they didn't cost him a penny other than his own labor. Now imagine how much that would have cost if you had bought those same Japanese maples from a landscaping firm - assuming you could even find 100 JM that large.
 
Bjorn is a classy guy, he did give everyone the benefit of the doubt, he was insightful in his response. He saw the humor of the situation. Nice response. There are others who come to mind who would not have been as evenly measured in their reply. Bravo.
 
Back
Top Bottom