Vance Wood
Lord Mugo
I'm doing as well as possible all things considered.That’s good. Put some coins in your pockets to weigh yourself down. You don’t want the mosquitos to carry you off!
Lol!!!
I hope you’re doing well!
Adair
I'm doing as well as possible all things considered.That’s good. Put some coins in your pockets to weigh yourself down. You don’t want the mosquitos to carry you off!
Lol!!!
I hope you’re doing well!
Adair
“Inspiration is for amateurs - the rest of us just show up and get to work.” - Chuck CloseFeeling their inspiration and drive? You should already have that when you go in. You won't get drive that lasts for more than 24 hours from someone else.
All very well but still mostly about the mechanics to me. All of the students back from Japan that I know or have seen are clones and they work like automatons and all the trees they style are the same. They are concreted in their ways. I've never had a teacher and I've never experienced the impediments you speak of. I just started slowly, made mistakes and learned that way. Murata said the best way to learn bonsai is to buy yourself a few trees (not bonsai) and work on them day to day. You will end up with trees that are truly your own. That's good enough for me! You still to this day hear comments from ''masters'' like ''bonsai has nothing to do with trees'' or ''we make the bonsai better than nature'' etc. They quickly go about sterilizing the material in front of them. IMO, if you are so unsure about your approach that you need therapy from a master, you won't ever achieve much which comes from yourself. And if you do, it will come from you because of the personality you were born with, not what someone showed you. The folks working quietly on their trees at home, experimenting and making big mistakes as they go will have the finest most individual trees in the future. The others will be doing yet another workshop.“Inspiration is for amateurs - the rest of us just show up and get to work.” - Chuck Close
(Granted, Chuck’s not as popular as he was due to recent allegations about behavior unrelated to his artistic prowess... nonetheless, the quote still rings true)
One of the key things that one learns from studying with a master artist, regardless of the medium, is simply that master artists are humans. They didn’t descend from Mount Olympus. Demystifying artistic process is an important step in becoming an artist.
How many people say, “Oh, I could never do bonsai. I don’t have a green thumb. I had a bonsai that I got at Lowe’s and it died”? Or they say, “You’re so talented. I wish I could draw like that. I can’t even draw a stick figure right.” The whole concept of “talent” is largely bullshit. “Talent” is just what happens when someone is really interested and hasn’t adopted the self-defeating attitude that they can’t do it (usually because nobody told them they couldn’t or that it’s too hard) and so they pursued their interest and practiced a lot and eventually got to be good at it.
Studying with a master artist is an antidote for self-defeating attitudes because when a student starts in with the, “oh, I could never...” a good teacher says, “Hey, hold on to these pruners for a moment, would ya? Oh, hey, while you’ve got the pruners, would you mind cutting that branch there? Ok, I’ve got to go put some change in the parking meter. Would you mind peeling off all the bark on this branch here? Just do it like this. Ok, good. You do that and I’ll be right back in a minute.” They do that kind of thing over and over and subtly challenge the unconscious baggage you’re carrying around that says, “oh, I can’t do that...”
And that absolutely has a lasting effect on drive. It removes the impediments that are in the way.
” The whole concept of “talent” is largely bullshit. “Talent” is just what happens when someone is really interested and hasn’t adopted the self-defeating attitude that they can’t do it (usually because nobody told them they couldn’t or that it’s too hard) and so they pursued their interest and practiced a lot and eventually got to be good at it.
I came to bonsai on my own terms and I don’t particularly think I need to study long term with a bonsai master. But, I get why others do need that. What I, personally, get out of going to a workshop with a master or a bonsai club meeting is technique and a raising of my consciousness about what is possible with the medium and occasionally a nugget of philosophical perspective. But, I already know design. I’ve already had the experience of studying long term with a professional artist, but it was in a different medium (painting). I’ve already had my paintings in a gallery. Most people coming to bonsai aren’t coming from that direction.All very well but still mostly about the mechanics to me. All of the students back from Japan that I know or have seen are clones and they work like automatons and all the trees they style are the same. They are concreted in their ways. I've never had a teacher and I've never experienced the impediments you speak of. I just started slowly, made mistakes and learned that way. Murata said the best way to learn bonsai is to buy yourself a few trees (not bonsai) and work on them day to day. You will end up with trees that are truly your own. That's good enough for me! You still to this day hear comments from ''masters'' like ''bonsai has nothing to do with trees'' or ''we make the bonsai better than nature'' etc. They quickly go about sterilizing the material in front of them. IMO, if you are so unsure about your approach that you need therapy from a master, you won't ever achieve much which comes from yourself. And if you do, it will come from you because of the personality you were born with, not what someone showed you. The folks working quietly on their trees at home, experimenting and making big mistakes as they go will have the finest most individual trees in the future. The others will be doing yet another workshop.
Well, they’ve got to practice the right things and take some chances and question what is or is not working also. You could do bench presses 3x a week for 20 years and you’ll never get chiseled pecs if you’re still doing the same # of reps with the same weight you started with. They also need to LOOK at trees, look at drawings, paintings, sculpture, museum displays, etc. You won’t magically learn good design without seeing good design. Working on your own trees by yourself won’t teach you that. You need to see great trees and art to develop an eye for design.You havn't been here that long. I have seen some long enduring interested people here that try really hard yet have no talent. Is twelve years long enough to pursue an interest and not have anything to show for it?
How long should a person practice to become good? 5 years? 10 years? 20 Years? Who is the arbiter of "eventually got to be good at it"?
Definition of talent
1a : a special often athletic, creative, or artistic aptitude
b : general intelligence or mental power : ability
2: the natural endowments of a person
3: a person of talent or a group of persons of talent in a field or activity
Talent or no.....
Design? = blueprint. Don't forget that it's the tree that has the ultimate say in what happens. Design fights against this and you end up with artifice and conflict in your work. I know this because I have fought against trees for years. I'm STILL fighting them. If they win I get harmony, if I win I get cliché. Most of my trees are clichés and if people are honest they will say the same. Working with the tree is the only way.Well, they’ve got to practice the right things and take some chances and question what is or is not working also. You could do bench presses 3x a week for 20 years and you’ll never get chiseled pecs if you’re still doing the same # of reps with the same weight you started with. They also need to LOOK at trees, look at drawings, paintings, sculpture, museum displays, etc. You won’t magically learn good design without seeing good design. Working on your own trees by yourself won’t teach you that. You need to see great trees and art to develop an eye for design.
Exactly this. Observed this this weekend when someone was very anxious to trim a nice tree back to the bones, as the tree had gotten messy. It just started with agreeing about one small branch that was clearly out of place. At the end of the morning the tree was trimmed down back to the basic frame. One branch at a time.a good teacher says, “Hey, hold on to these pruners for a moment, would ya? Oh, hey, while you’ve got the pruners, would you mind cutting that branch there? Ok, I’ve got to go put some change in the parking meter. Would you mind peeling off all the bark on this branch here? Just do it like this. Ok, good. You do that and I’ll be right back in a minute.” They do that kind of thing over and over and subtly challenge the unconscious baggage you’re carrying around that says, “oh, I can’t do that...”
So then, I am sure you know what is meant by Anthony (fine arts) saying (not once...) that 3-5 years are needed for art students to empty their heads/minds from the master's teaching and then start to think for themselves.... ...What I, personally, get out of going to a workshop with a master or a bonsai club meeting is technique and a raising of my consciousness about what is possible with the medium and occasionally a nugget of philosophical perspective. But, I already know design. I’ve already had the experience of studying long term with a professional artist, but it was in a different medium (painting). I’ve already had my paintings in a gallery. Most people coming to bonsai aren’t coming from that direction.
I don't want to speak for anyone else, but I imagine for those of us that are just working away, enjoying our trees in our own back yards, this whole thread reads kinda like blah, blah, blah. Or maybe it's Monday and I'm just surly tonight.
Design is not a blueprint. Design is a compass in your mind that consistently points in the direction of what works visually. Design is what allows you to make thousands of little decisions about form, line, texture, color, the interplay of positive and negative space, etc. and progressively iterate until you’ve converged upon something sublime.Design? = blueprint. Don't forget that it's the tree that has the ultimate say in what happens. Design fights against this and you end up with artifice and conflict in your work. I know this because I have fought against trees for years. I'm STILL fighting them. If they win I get harmony, if I win I get cliché. Most of my trees are clichés and if people are honest they will say the same. Working with the tree is the only way.
Ah! Now we’re down to it! You’re fighting your trees!Design? = blueprint. Don't forget that it's the tree that has the ultimate say in what happens. Design fights against this and you end up with artifice and conflict in your work. I know this because I have fought against trees for years. I'm STILL fighting them. If they win I get harmony, if I win I get cliché. Most of my trees are clichés and if people are honest they will say the same. Working with the tree is the only way.
I don’t feel it’s prudent to spend thousands of dollars to work with a professional and continue working on 30.00 material.
I get it. You guys shucked out all of this money for these videos and intensives. You're going to try to defend your decision.