Woocash
Omono
Based on trunk movement alone, I pick number 4.
Thanks so much for saying. It’s def coming along. I will say also, there are some days I feel so good about my progression and others where I’m like, “why the F did I just do that??” Haha. But I up to this point have absolutely loved my struggle in this art and am happy with my progress. Some may say I should be further along with almost 10 years in, but the last few years in particular have been a bit of a breakthrough.Looks awesome, Danny. I feel like you are always a couple of steps further down the path from me, which is encouraging because I think we are both seeing the benefits of steady, cautious optimism in our journey from our starts as rank amateurs! This tree shows excellent vision.
I like the fourth proposed front, by the way. It uses the trunk movement to best effect, conceals the middle straight section a little bit with foliage, and shows a nice view of the roots.
Photo 4 definitely has more trunk movement, based on that I would choose it over 1. Can't tell if there are other factors (such as surface roots) that would possibly swing the decision.
It's tough to compare pics 1 and 4 to 2 and 3 because of the different perspectives - the photos are different sizes and appear to be taken from different positions. In particular, in photo 2 the overall tree look shorter/more compact which makes that one attractive, but I think that might just be because of the photo. I don't know if you want to re-take the photos all from the same viewpoint (using a tripod helps with this) which would make it easier to evaluate.
Nice work overall, good use of the early cut-back to redesign the tree essentially from scratch.
Number is also my fave. Though number 1 was what the drawing was done from. Once the big cuts heal on the backside, I may have more options with from moving forward. I think by year 3 with this tree, the ramification will be much more convincing as well.I agree the @coh. # 4 has the best movement and also shows the best side of the base.
#1 shows a very straight section of trunk so is less ideal.
The other two seem more like the back of the tree
Thanks so much for saying. It’s def coming along. I will say also, there are some days I feel so good about my progression and others where I’m like, “why the F did I just do that??” Haha. But I up to this point have absolutely loved my struggle in this art and am happy with my progress. Some may say I should be further along with almost 10 years in, but the last few years in particular have been a bit of a breakthrough.
Somewhat. Nothing like the corticosa though. Though I’m new to the species in my possession at least.This cultivar gets also a corky bark?
Oh wow! Thanks for the knowledge Sergio. I didn’t realize it barked up that much. But now that your posting your pic I know that tree of yours well!@Hartinez Nice tree and game plan Danny!
The yatsubusa is right up there with corticosa in terms of bark texture. Below a detail of mine.
View attachment 394775
What an impressive cultivar.
I’m happy this tree seems to really be taking on a more naturalistic style
Question for you. Do you find the leaves on your Yatsubusa to be be far less oval than expected? Almost uncharacteristically for an elm?@Hartinez Nice tree and game plan Danny!
The yatsubusa is right up there with corticosa in terms of bark texture. Below a detail of mine.
View attachment 394775
Question for you. Do you find the leaves on your Yatsubusa to be be far less oval than expected? Almost uncharacteristically for an elm?
I do to. It caught me off guard at first. But it provides such a unique look for an elm.Yes! They tend to be much more elongated than most other Chinese elms that are more oval. I actually quite like it.