Nao is in free spirit mode currently, he makes what he wants when inspired (sometimes this might mean inspiration by particularly special trees, such as the Pacific Bonsai Museum apple tree) I don’t see his commissions publicly opening any time soon for reasons.
That particular Kutani ware style pot was very special and indeed I don’t think we will see anything like it for some time unless he gets the wabisabi kutani bug again. Kind of wish we had kept it and the other one I did. But I also feel like we should have kept a lot of lovely pots that have been made..
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I took another look at it and it looks like the face the quail was painted on was glazed with a matte white. The matte whites can look very different on dark clay bodies or lighter ones, and we also use recycled clay in the studio which is a mish mash of everything. That tends to fire an oatmeal color underneath. He might remember what he used.
I actually prefer making stuff in clay but with a second baby on the way you might not see anything for another three years, since that is about how long it took for me to finally have free time to myself to do pottery again. But we‘ll see, since I’m not a first time mom this time around and the pandemic is in the rearview mirror kid #2 might see more daycare than Phoebe.
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My pottery goals are nail carving in dark clay and sculpting bas relief dragons, but ultimately I would like to sculpt wax to cast into bronze accent animals.