Don Blackmond
Omono
Nothing wrong with the pot its in, imo. And I'm not a fan of nailheads.
Half the fun is looking for just the right pot! I'm leaning toward a bag-shape old Chinese.
Something like this pot; this one is too shallow, and I don't want the foot front & center; the tree needs more stability.
So I keep looking, it's fine by me!
Not really. I bought this one from Brent to have the cultivar, and was pleasantly surprised by the trunk movement. I think the final front was always my favorite angle, but when I did the initial styling with Peter Warren, I think he saw a semi-cascade. 2011:Did you see this version in the beginning at the time of first styling or did you change plans later on?
I'd be curious to see what you have in mind. I'm pretty traditional on matching pots to trees, but did actually consider this vintage Chinese yellow as an option. The photo is lacking, but in person the green foliage really pops on top of the aged yellow.I would actually lean towards a glazed pot for this tree. I like your comments about dimensions, etc, but I think this tree is not masculine enough to carry off a formal unglazed pot. This is a lady tree
I will look for a pot for you. Something with a drippy informal textured glaze that matches the dimensions and general shape and size you were sharing.
stay traditional
I agree, and will likely stay traditional (bag shape oval or similar), but it's fun to consider other options.This......
As for the "vintage Chinese yellow", and I'm trying to learn, doesn't it seem too large "visually"? I realize it's in front of the current pot, so it's size is a bit exaggerated, but it seems "too much".....
Very nice, classy tree!
Anyone see a bonsai in that bush?
The movement in the trunk makes future refinement easy to plot.
Comments, criticisms and virts welcome...
NiceJust playing with ideas... Some of the virts look weird because the pot was photoed under different lighting. Additionally I am using the black background, but you can imagine the tree/pot combo would look much different if you had it on a tatami or against a lighter background.
Green. Very peaceful. Works really well with the moss.
View attachment 120279
Much stronger. Yellow to contrast, red/brown to pick up the live veins.
View attachment 120340
Playing with a different shape and red to pick up the live vein and grey to pick up the deadwood. It would be a lot more subtle under natural lighting. Something about this pot draws me... when I look at the tree the pot glaze (out of the corner of my eye) looks like a landscape. It may be too strong and distracting though.
View attachment 120341
These are all round/oval pots. I personally would never put this tree in a rectangle it is way too informal.
How easy / hard is it to photoshop in a new pot??
Not too hard. If I can do it - anyone can
I think I'd put it on the other side of the oval. The key branch, the long cascading branch is on the left. Therefore, the tree should be potted to the right.Just playing with ideas... Some of the virts look weird because the pot was photoed under different lighting. Additionally I am using the black background, but you can imagine the tree/pot combo would look much different if you had it on a tatami or against a lighter background.
Green. Very peaceful. Works really well with the moss.
View attachment 120279
Much stronger. Yellow to contrast, red/brown to pick up the live veins.
View attachment 120340
Playing with a different shape and red to pick up the live vein and grey to pick up the deadwood. It would be a lot more subtle under natural lighting. Something about this pot draws me... when I look at the tree the pot glaze (out of the corner of my eye) looks like a landscape. It may be too strong and distracting though.
View attachment 120341
These are all round/oval pots. I personally would never put this tree in a rectangle it is way too informal.