grouper52
Masterpiece
This Chinese Elm progression actually started around 2000, though I have no photos until a number of years later. I got the tree from Brussels - who had imported it - when we were living a short distance away in Memphis briefly. Shortly thereafter my wife and I built a home on some property I owned on the plateau at the foot of the mountain in Taos, New Mexico - a very, very, VERY bad place to try to raise bonsai! At about 7000 feet elevation in a high desert climate, where, within the same 24 hour diurnal cycle, temperatures could swing from the low nineties daytimes of below zero at night, and humidity was negligible, our trees either died or struggled greatly before being forced to move elsewhere after three years (because my wife developed intractable allergies to sagebrush!). We lost many great bonsai, despite valiant efforts that included a green house and other such remedies, but among the few that survived was this Chinese elm, which - because it lost about half of its live sections - now had great deadwood features!
So the progression photos pick up in 2007 when the dramatic changes in the general outlines of the tree are already established (sorry), and then the progression ends - after a series of small, gradual, undramatic refinements - in 2015, showing an ever improving image developed merely by preserving and honouring the deadwood, while framing and thereby accentuating that deadwood using clip-and-grow techniques almost exclusively - as the Chinese of old in Lingnan Province, where these trees originate, would have done. One of my all-time favourite trees, which Dan Robinson asked to have for his Elandan Garden Collection when I moved overseas, and which he has since planted on a rock slab of some sort - an ever-increasing stylistic choice for him as he continues to mature. Enjoy!







So the progression photos pick up in 2007 when the dramatic changes in the general outlines of the tree are already established (sorry), and then the progression ends - after a series of small, gradual, undramatic refinements - in 2015, showing an ever improving image developed merely by preserving and honouring the deadwood, while framing and thereby accentuating that deadwood using clip-and-grow techniques almost exclusively - as the Chinese of old in Lingnan Province, where these trees originate, would have done. One of my all-time favourite trees, which Dan Robinson asked to have for his Elandan Garden Collection when I moved overseas, and which he has since planted on a rock slab of some sort - an ever-increasing stylistic choice for him as he continues to mature. Enjoy!







Last edited: