Well if it ain't Dutch....it ain't much.....and I am obviously not biased at all....I could make up a brilliant name for American bonsai, but what about Dutch bonsai?![]()
I'm voting for Borrelsai.Well if it ain't Dutch....it ain't much.....and I am obviously not biased at all....
So....
The Best Sai = Dutch Bonsai
You are a hero among men and a downright geniusI'm voting for Borrelsai.
Paired with beer and snacks, people make the best trees. It's a worldwide phenomenon, but if we're the first to coin it..
Say whatever you want, but you can't ignore the fact that wet akadama looks like a hybrid between hagelslag and vlokken. And dry, it looks like the crust of the bitterbal.
We use tiny rakes to scoop up our friet. And the flags we throw on our haring are bonsai-sized.
Not to forget, we were the most successful when it comes to turning junipers into liquor.
Now for some reason, I get the urge to throw one of my trees in a 150 year old hand crafted wooden shoe.
I'm ordering some boeren bont bonsai pots next year. Or maybe Delfts blauw. I mean, when it comes to porcelain, there was a time we beat the Chinese. I think we still can, with the right motivation.
It's great!!!! A great park....well it's tiny, but great.....yet tiny.....but still great.....Oh, and let us not forget the tiny things we're famous for:
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If anything, we do in fact need our own name. We've earned it.
Now that I think of it, Madurodam might have the largest collection of ground planted bonsai in Europe. 5500 trees!
Maybe if you could post some photos of your work so we could get an idea of your skill levels a more definitive answer could follow.
I see. You are at least as good at bonsai as anyone here, and much better in some ways. You should be the one to make the decisions about bonsai.Just wondering if you were formulating your more definitive answer? My skill level is much like the forum in many respects, and far above the forum in others. My comment did say "on this forum" so maybe we could return to my question and you could make your thoughts known. I also did not see anyone else called out to show their trees even though there is much bantor. Maybe everyone should pony up some photos...yes?
Maybe a merit system should be in place and graduated sub forums where if you don't pass muster, you don't get to post there.
Is that where we are headed here too?
If by taking an average tree and dressing it up in fancy surroundings then yes, that could describe a fair amount of American bonsai. I doubt it makes it a style.Um, no. Both statements are pretty much untrue. Bonsai is Japan was created AND MAINTAINED BY THE ELITE. That is were it grew from--the Imperial Palace for a time outlawed ownership of bonsai except by the royal class. As for ownership and money--Japan is far far FAR ahead of egotism and $$ when it comes to bonsai. There is no on in the U.S. paying $2 mill for a tree or $500,000 for a pot...Yes, there is ego and $ in bonsai in the U.S., but there's also both in just about any hobby--take a look at custom automobiles...ect. Bonsai $ is nowhere near car $ here.
As for "American Bonsai," I always haul out this photo of Ron Lang's "Utah Ledge" composition. He created it a long time ago. Not seen many other compositions that come close to its specificity to a distinct American desert landscape.
http://www.langbonsai.com/experimental.htm
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Only Taiga Urushibata was from Japan. The other two judges at the National were Mauro Stemberger from Italy and Lindsey Bebb from Austrailia.This does bring up the issue of who should judge major North American shows? But the results this September from the National Show seem to demonstrate that at least so far, the Japanese professionals chosen by Bill Valvanis are quite competent at judging bonsai produced in America. Japan is a country with diverse landscapes, from the tropical island of Okinawa to the very cold, almost Wyoming like mountains of the island of Hokkaido. I am certain that Japanese bonsai judges are not strangers to the idea that artists will have different cultural references in their bonsai.
The reason you were called out was because of the more or less confrontational tone of your comment and the evidence that you have not been here too long. This left the question in my mind if you were not just another troll or you really had an idea of what you were talking about. We have had, even recently, people show up boasting great things of themselves and demeaning the members of this forum that in fact don't know a bonsai from a ham sandwich. My further response would be; until you can show evidence of your willingness to help people on this forum your opinions would be looked at through a jaundiced eye on my part. Whether or not my opinion means anything to anyone other than myself is self evident. Then the other point to be considered; if you are not happy with this forum why are you here?Just wondering if you were formulating your more definitive answer? My skill level is much like the forum in many respects, and far above the forum in others. My comment did say "on this forum" so maybe we could return to my question and you could make your thoughts known. I also did not see anyone else called out to show their trees even though there is much bantor. Maybe everyone should pony up some photos...yes?
Maybe a merit system should be in place and graduated sub forums where if you don't pass muster, you don't get to post there.
Is that where we are headed here too?
If you're talking about the pot the "average" tree is in, then I'd take issue with simply "dressing it up." That pot sets the stage for the "average" tree. The container denotes a specific place that is kind of unique to much of the North American west. It elevates the "average tree" to another level, using that geographic specificity. It has no real parallel in Japanese containers. This kind of thoughtful approach can yield "American" bonsai. There are also some pots made by Ron Lang used by Ryan Neil at Mirai that include fossil imprints that also suggest location.If by taking an average tree and dressing it up in fancy surroundings then yes, that could describe a fair amount of American bonsai. I doubt it makes it a style.
Then there you have your name Rockm ;-)
@Vance Wood I get your point completely, but we define ugly in ways of bonsai-ugly. Because I think we've learned what's pleasing to the eye and what isn't, for a large part through exposure. But back when Ruebens painted fluffy oversized women they were considered beautiful. Nowadays, we, are forced to watch at skinny, big boobed innocent-looking ladies. These models are considered beautiful as well. Fluffy women are now called Plus sized models. In the public view, they are not considered to be as beautiful as regular models. Why is that? Is that, maybe because our definition of ugly and pretty is fluid? In the old paintings, plus sized was best. It was a sign of health, prosperity, vividness, livelihood. I can't even describe the old paintings of women without using negative phrasing. I honestly can't. That's partially because my way of thinking about beauty is defined by what I've seen and the general public's opinion. Flashy white skin, blushing red was the norm. Nowadays we have tanning salons, ladies chiseled out of marble, skin and bones, hard lines and sunken cheeks (pantera reference!). A completely opposite definition of beauty compared to just 80 or so years ago.
The reason you were called out was because of the more or less confrontational tone of your comment and the evidence that you have not been here too long.
I'm frustrated and mad at the world.
Did I miss the pic? Sounds great but I am more of a visual guy.The All American Bonsai Award was awarded to my American Larch Bonsai
If you read rockm post it pretty much tells it as it is and was. Do a little reading and research and I think you will be surprised. If not surprise you will at least find whom is ignorant.