another pot collection

WEI

Yamadori
Messages
59
Reaction score
572
Location
Northern Virginia
USDA Zone
6B
yet another pot collection to add to the forum library. I am in the nascent stages of pot addiction; here are some currently in my stead. some have trees and some don’t. I’ll update as more pots join the collection post-Japan trip.

starting off with a banger I acquired yesterday at Koju-en in Kyoto - an Ino Shukuho shohin mokko dressed in green and grey, his signature oribe glaze inspired and IMO surpassed only by Heian Tofukuji’s:

IMG_9267.jpeg

IMG_9271.jpeg

IMG_9277.jpeg

next are two Koyo shohin ovals in a Takatatori? namako? glaze. the running pattern and “snow cap” set the first apart in my eyes from many of his other works:

IMG_9296.jpeg

IMG_9298.jpeg

IMG_9300.jpeg
the second is more subdued in both shape and color, and the blue and brown complement each other well. the dripping glaze is quite nice:

IMG_9301.jpeg

a mame round from Sekisen, with clean lines and a clear attention to detail:

IMG_4785.jpeg

a 3-inch painted Tosui with a blue-green rim and feet depicting pines on a mountain, a temple, and scholars playing chess:

IMG_9307.jpeg

a newer ceramic by Kiyoshi Koiwai of the Fuka kiln, known for his skill in thin-walled glazed pots. this shohin round is a delicate and feminine pot all around with a wide lip in beautiful crystalline green, with both clusters of spots and running streaks. one of my favorites:

IMG_9293.jpeg

IMG_9295.jpeg

these are all shohin pots…more to come in larger sizes.
 
Beautiful start. Ino’s oribe glazes pots are among the best, and you found a great specimen there.
Namako = sea cucumber, and it’s the blue/brown/white speckled glaze on your Koyo pots above.
Takatori-you glaze is red, black, white/cream. It’s a Cantonese style and apparently difficult to produce. Here is an example by Tofukuji.
3054A64D-A406-48EE-B4A7-4B6697C4C57D.jpeg
 
a newer ceramic by Kiyoshi Koiwai of the Fuka kiln, known for his skill in thin-walled glazed pots. this shohin round is a delicate and feminine pot all around with a wide lip in beautiful crystalline green, with both clusters of spots and running streaks. one of my favorites:

View attachment 575702

View attachment 575703

these are all shohin pots…more to come in larger sizes.
This pot is absolutely awesome!! I love it. I love wide lipped pots. I recently had a larger one made on a commission which Im very happy with with a similar form for one of my trees.

20241129_111150.jpg
20241129_111148.jpg
 
yet another pot collection to add to the forum library. I am in the nascent stages of pot addiction; here are some currently in my stead. some have trees and some don’t. I’ll update as more pots join the collection post-Japan trip.

starting off with a banger I acquired yesterday at Koju-en in Kyoto - an Ino Shukuho shohin mokko dressed in green and grey, his signature oribe glaze inspired and IMO surpassed only by Heian Tofukuji’s:

View attachment 575687

View attachment 575689

View attachment 575690

next are two Koyo shohin ovals in a Takatatori? namako? glaze. the running pattern and “snow cap” set the first apart in my eyes from many of his other works:

View attachment 575692

View attachment 575693

View attachment 575694
the second is more subdued in both shape and color, and the blue and brown complement each other well. the dripping glaze is quite nice:

View attachment 575695

a mame round from Sekisen, with clean lines and a clear attention to detail:

View attachment 575700

a 3-inch painted Tosui with a blue-green rim and feet depicting pines on a mountain, a temple, and scholars playing chess:

View attachment 575701

a newer ceramic by Kiyoshi Koiwai of the Fuka kiln, known for his skill in thin-walled glazed pots. this shohin round is a delicate and feminine pot all around with a wide lip in beautiful crystalline green, with both clusters of spots and running streaks. one of my favorites:

View attachment 575702

View attachment 575703

these are all shohin pots…more to come in larger sizes.
I read somewhere that pots should be glazed entirely, inside and out. Am I just not seeing the glaze inside, or is there no glaze?
 
I read somewhere that pots should be glazed entirely, inside and out. Am I just not seeing the glaze inside, or is there no glaze?
Opposite - they should only be glazed on the outside, wrapping slightly over the inside edge.
 
Back
Top Bottom