Rafael Najmanovich
Mame
Second styling of a nursery stock eastern white cedar (Thuja occidentalis). First styling spring 2018, repotted spring 2019, second styling late summer 2019.
he drooping looping top looks cool, but it seems unnatural to my eye. I think my brain is asking: "Would a real tree in nature flip a 180 degree turn and start reaching straight for the ground?"
attached is one of my favorite maples on the planet, located at kouka-en. the use of the term 'natural' in bonsai can be misleading![]()
attached is one of my favorite maples on the planet, located at kouka-en. the use of the term 'natural' in bonsai can be misleading![]()
My god, that tree is magnificent! I see the downward growing branches, but on the maple I do not see the same kind of extreme, wide, swooping loop-de-doo that OP's design includes.
I learned how to control that from John Wall at the show this year.floppy
I think your suggestion of decreasing the height of the daughter trees is excellent. Except that to do that, and I am sure you are aware of that, I will need to approach graft the the foliage first or wait until and if some growth spring up at the right place as in conifers any branch without a growing tip will eventually loose any foliage it may still have (in the case of pines) and then completely die. This being a Thuja, any remaining growing tip is fine to keep the branch alive but a branch or trunk without anything growing in it is deadwood.Thank you for the video, I really love the movement of these trunks. Please excuse me for offering my read, especially because I am very new to bonsai.....but, respectfully, I gotta say: something about the daughter trunk doesn't feel "right". The drooping looping top looks cool, but it seems unnatural to my eye. I think my brain is asking: "Would a real tree in nature flip a 180 degree turn and start reaching straight for the ground?" I also wonder if the daughter tree is just too tall. It seems to have very little taper, if any, for most of the length of the trunk.
I'm gonna be brave and respectfully offer my suggestion. I may be WAY OFF, and I am definitely here to learn from all of you, but here's what I am thinking.
What would happen if you chopped the daughter down by about 2/3 of the current height? Maybe a nice jin on top? Sort of like this (Ignore the red line on my virt):
BEFORE:
View attachment 260103
AFTER:
View attachment 260104
All that negative space feels so much more dramatic, and natural. There's still conflict between mother and daughter. And it may even be more balanced
Cut it off at the ground.I think your suggestion of decreasing the height of the daughter trees is excellent. Except that to do that, and I am sure you are aware of that, I will need to approach graft the the foliage first or wait until and if some growth spring up at the right place as in conifers any branch without a growing tip will eventually loose any foliage it may still have (in the case of pines) and then completely die. This being a Thuja, any remaining growing tip is fine to keep the branch alive but a branch or trunk without anything growing in it is deadwood.
I might just do that in the future but unlike how you perhaps cynically suggest, I may cut it perpendicular to the planting plane between the two trunks and separate the conflicting parent and child. I feel each could be a good tree in its own right.Cut it off at the ground.
I could be wrong, but I don’t think Rafael agrees with you.Rafael,
There is a fundamental issue that throws your design off balance, and that is the planting angle. You keep calling it a “mother-daughter” (or father-son) composition, yet the smaller tree is growing on higher ground. The tree on the left needs to be on higher ground than the smaller tree. Shifting the angle so that it is on top of the mound would also bring its apex more on top of the lesser tree.
It should look as if the lesser tree is trying to move out, away from the taller tree. That swooping branch that comes from the top, back, and then comes in between the two to the front is just plain and simply convoluted.
I think an angle change, and some guy wires pulling the two trunks in closer together is a better styling choice. Other than the artificial “swoop”, the movement of the two trunks mirror each other, which is nice. They “complement” each other not “conflict” with each other, except for that “swoop” branch. Direct the movement of the second tree out to the right, out and towards the light, and you’ll have a pleasing composition.
I could be wrong, but I don’t think Rafael agrees with you.
He probably has me on ignore.I could be wrong, but I don’t think Rafael agrees with you.
I learned how to control that from John Wall at the show this year.
Cut the fronds.